Veranstaltungen

Towards the end of her life May Morris (1862-1938) - designer, craftsperson, and younger daughter of William Morris – wrote, ‘I’m a remarkable woman, always was, though none of you seem to think so’. Overshadowed in her lifetime by the achievements of her illustrious father, thankfully today May Morris is recognised as a leading figure in the Arts & Crafts Movement. Excelling in the field of embroidery, she was Head of Embroidery at Morris & Co. by the time she was twenty-three.

This lecture focuses on the travels of artists, musicians and writers in Scotland during the period when the romance of the Highlands, fostered by the tales of Ossian, made Scotland a destination for those such as Turner, Chopin, Mendelssohn, Dorothy and William Wordsworth and Coleridge. The talk is illustrated by the music of Chopin and Mendelssohn. The routes of the travellers and the highlights (including Fingal’s Cave, the Falls of Clyde, the Trossachs, etc.) are shown by means of slides of paintings and drawings (including Mendelssohn’s little known sketches), as well as present-day views of the same scenes.

Rome, as we all know, was not built in a day. It took centuries to construct the eternal city, and Rome’s glorious monuments and those who created them are the focus of this talk. It is sometimes hard to see beyond the ruins of today, so using masterpieces of Roman art and reconstructions and with the Emperors as our guides, we’ll go on a journey through Rome in its golden prime: from the splendid civic hubs of the great Imperial Forums to the beautiful, soaring temples of the gods, the dazzling gleam of marble and mosaic in the great public baths and the roar of the crowds at the Circus Maximus and the Colosseum.

The arrival of Ben Nicholson, Barbara Hepworth and Naum Gabo in St Ives at the beginning of the Second World War marked a significant moment, both for them and for the artists already living and working in the small Cornish town. These three artists were key players in British modernism and soon challenged the status quo of the existing artists’ colony, established at the end of the 19th century. They inspired and, in Hepworth’s case employed, a younger generation of artists before they too were challenged by new ideas. This lecture will chart the rise of St Ives as a centre for modern art after the war and show that it was not only Nicholson, Hepworth and Gabo who achieved international success but other artists such as Peter Lanyon, Roger Hilton, Terry Frost and Wilhelmina Barns-Graham. This success led to the town becoming a focal point for post-war avant-garde art which led the eyes of the modern art world to focus, for a brief period, on St Ives.

In this lecture we will learn how the great film director Alfred Hitchcock used London, and how it influenced his life and his art. Still both instantly recognisable and widely acclaimed over 40 years after his death, Hitchcock’s greatest and bestremembered movies are usually selected from his Hollywood days. However, he spent almost exactly half his life in London and Essex, and the influences of these formative years on his later work were enormous. From his inventive use of London locations in the 1920s and ‘30s in classics such as The Lodger and The 39 Steps, to his inspired deployment on film of the West End’s theatre stars, Hitchcock never forgot the city. And as it helped shape his life and imagination, so he shaped it on the cinema screen.

Speed! Technology! Destruction! The battle cry of the Futurists WWI heralded the appearance of the car as a powerful symbol in avant-garde art. Soon the Art Deco masterpieces of the great car builders came to epitomise style, luxury and craftmanship, works of art in their own right. The romance of speed continued to be a major theme in how cars were depicted in art, but, since the 1950s the car has become art, used as a canvas for artists as celebrated as Peter Blake, Andy Warhol and Damien Hirst. This lecture will showcase the beautiful and the bizarre, celebrating the dynamic, creative, and sometimes unsettling relationship between cars and art.

This light-hearted talk examines the history of wine, an elixir that has sustained much of humanity for almost 10,000 years. Essentially little more than fermented grape juice, this extraordinary and contradictory liquid has caused wars and riots, has helped broker peace and more commonly, served as an aphrodisiac. It has been personified in the form of Gods and been the principal catalyst in civilised entertaining and dining rituals. Wine is based on ethanol, a potent alcoholic poison and depressant. Yet, when consumed in moderation, its effects are liberating, euphoric and positively beneficial to our physical health.

Antonia joined Blenheim Palace in 2008 as a member of the Education Team, later becoming the Palace’s Social Historian and Digital Content Creator. Both roles have involved her curating or co-curating a number of Palace exhibitions including A Passion for Fashion – 300 Years of Blenheim Style upon which her recent book is based.
An experienced public speaker, both virtually and in person, Antonia has delivered a ‘Conversation’ at Cumberland Lodge, Windsor, been ‘In Conversation’ with fashion editor Caroline Issa, designers Stephen Jones and Zandra Rhodes and TV and radio presenter, Sue Perkins.
Antonia has participated in both the Oxford Literary Festival where she presented her children’s book and more recently at Cheltenham where she chaired a discussion between authors Emma Soames and Rachel Trethewey on their respective Churchill related books.