Veranstaltungen

Holland was a special phenomenon in the 17th century: A world power with a booming economy which created a wealthy burger class who were proud of what they had achieved and who wanted their portraits painted.
Never before were so many portraits produced. There was an explosion of portraits, large, small, men, women, children, groups.
It is estimated that more than 5,000,000 paintings were produced in the 17th century. Dutch artists captured these people and these works have become masterpieces – just think of the Night Watch.
We will take a look at their diversity, creativity and quality.
Due to the exhibition at the Gemäldegalerie Berlin, 12th July - 3rd November 2024, we will give special attention to Frans Hals, and this talk will be an introduction to portraiture in 17th century Holland and Frans Hals’ contribution to it.

Many art historians and critics have compared the work of Stubbs to that of Leonardo da Vinci, one even christening him the ‘Leonardo of Liverpool’ to reflect his humble origins as the son of a Liverpool leatherworker. The comparison can seem hubristic until one considers the intense scientific method and investigation that lay behind the production by Stubbs of his world-famous Anatomy of the Horse published in 1766 – a work which revolutionised the understanding and depiction of equine subjects. This lecture looks at the life and work of this country’s greatest animal painter, putting Stubbs in the context of British sporting artists of the eighteenth century more generally. It focusses on his depiction of equestrian subjects such as the National Gallery’s Whistlejacket but also looks at the broader themes he addressed.

Staatliches Bauhaus was an art school founded under Weimar Republic by the architect Walter Gropius. From 1919 to 1933 its tutors combined crafts and the fine arts in a radical new approach to design education.
Less well known is the influence of the Bauhaus and other German design schools on design and art education in Britain in this period. As the impact of the economic ‘Slump’ of c.1929-34 hit British manufacturing sales, many in local and national government took the view that Britain’s struggling industrial base could be improved if moves were made to provide for better design education. This lecture looks at some of the work of the key artists involved in improving British design in this period – including Paul Nash, Eric Ravilious, Vanessa Bell, Duncan Grant and Roger Fry; and at Unit One – formed by Paul Nash in 1933 to promote modern art, architecture and design.

Far from being a ruin, Cardiff Castle is one of the most remarkable houses in Britain. Dating from the time of the Romans, centuries of change culminated in the complete transformation undertaken in the 1870s by the Marquess of Bute and his eccentric genius architect William Burges. They created a ‘Feudal extravaganza’ in fifteen highly imaginative interiors, including an Arab room, a Pompeian roof garden and rooms with an astrological theme. The lecture examines this wonderful building and the personalities of those involved.

“The Jurassic World of Mary Anning: the pioneering woman paleontologist of the 19th century and her contemporaries"

Aaron Hunter, scientist and reserarcher, will give an introduction to 19th century palaeontologist Mary Anning and we will discover how she searched the Jurassic rocks of England's south coast to unearth what were believed to be sea dragons and which we now call marine reptiles. The lecture will look at the social history and influences of Mary Anning and the 19th century scientists that she would have worked with. We will not only look at these spectacular fossil remains, but also see how palaeontologists have revealed how these ancient extinct animals lived.

Standing in the nave of Ely cathedral when she was 14, Imogen stopped listening to the guide saying how long and how high and started wondering how on earth ordinary human beings created sky-scraping, dizzyingly high buildings on which even the top-most parts were delicately decorated. How, why and for whom were her questions. For God, for personal redemption and to make a living are the answers to the last two of those, but the "how" was harder to fathom. In this lecture we meet the Master Masons who both designed the buildings and ran the site. They commanded everything whether it was sourcing the vast quantities of wood and stone, recruiting the workforce or knowing enough about their various trades to be able to create heaven on earth out the cacophony of thousands of chisels and hammers. These men were charismatic leaders, but they were continually checked by their fellow Master Masons in the interests of making a building as strong as possible - we only see their successes, after all.

The long shadow of the Arts and Crafts Movement has hung over English gardening for most of the twentieth century. The dominance of Miss Jekyll and the continuing popularity of gardens at Hidcote and Sissinghurst have proved to be an enduring legacy.
There were, however, always subversive undercurrents of alternative styles and influences which have gained ever greater importance and momentum. Post-Modernism, rich in symbolism, has, in gardens like Portrack, Little Sparta and Througham Court, explored the worlds of literature and science; while plants, for centuries an abiding passion of English gardeners, have continued to cast their spell, with new discoveries enriching gardens across the country.

Georgians of all classes dined out in pubs, coaching inns, French ordinaries and confectioners. They also ate all kinds of street food and had an almost insatiable appetite for buns. On a journey through London we will discover the early morning drinks consumed on the street before dawn, ‘nunchions’ served at coaching inns, Billingsgate dinners, confectioners’ cakes, syllabubs and ices, the proverbially thin ham dished up to diners at Vauxhall Pleasure Gardens, as well as the Jewish takeaway foods of the East End and even London’s first ‘Indian’ restaurant.

Beginning in Lübeck and Hamburg in the 13th century, the Hanseatic League eventually linked some 60 European cities in a series of trade agreements that transcended national bounds. Riga, Tallinn, Stockholm, Bruges, London, King’s Lynn, Nuremberg, Bremen, Danzig, Stettin and Konigsberg were all connected by an intricate series of contracts, defended by armed forces and a powerful navy, and vital to the economic prosperity of each city. The Brick Gothic style of architecture developed during this period, and many important churches, town halls, guildhalls, warehouses and offices were built in this style, many of which survive to this day.

Betty Joel, born Mary Stewart Lockhart, ran a furniture making and design business. At its peak, in the 1920s and 30s, Betty Joel Ltd employed 50 craftsmen and had showrooms in Knightsbridge. With no formal training, she created, through a flair for branding and marketing, the leading furnishing company of the day in London. The talk explores her early life and marriage to David Joel, exhibitions, and projects. Her clients included royalty, high society, politicians, banks, hotels (such as the Savoy in London) as well as film companies and theatres.

Just north of Piccadilly, in the city of Westminster, is the historic district of Mayfair, now one of the most affluent neighbourhoods in the world. In this armchair tour, we’ll discover the humble early roots of this area and later its aristocratic appeal. We’ll visit famous gardens such as Berkeley Square and Grosvenor Square, see posh shops, private members’ clubs, beautiful buildings including stately Georgian townhouses, plenty of public art and many hidden corners. As we duck in and out of alleyways and mews, we’ll discover some of the secrets behind the silk curtains and gilded shutters of Mayfair.